.
A new
life for youth's wartime diaries
Czechs
honor artist who died at Auschwitz
By Ladka
M. Bauerova
International Herald Tribune
January 27, 2005
More
than 60 years after Petr Ginz died in a gas chamber at
Auschwitz, the Czech Republic is finally paying homage to
the brilliant teenager by publishing his recently found
diaries.
Recalling the
diaries of another teenage victim of the Holocaust, Anne
Frank, they reveal a budding Czech literary and artistic
genius whose life was cut short by the Nazis.
The diaries -
actually a collection of diary entries, poems, short
stories and drawings - offer keen insights into the
reality of everyday life of Jews in wartime Prague.
Oddly, they might have been lost forever if not for the
Columbia space shuttle disaster two years ago.
For decades after
World War II, the name Petr Ginz was known only in
Israel. Scraps of diaries, a few short stories and some
drawings and linocuts stored in the archives of the Yad
Vashem memorial in Jerusalem were all that was thought to
remain of the boy's extraordinarily prolific
output.
Then the shuttle
exploded over Texas on Feb. 1, 2003, killing all seven
astronauts aboard. Among them was Colonel Ilan Ramon, the
first Israeli citizen to travel into space.
Shortly before
Columbia's takeoff, Ramon, a son of an Auschwitz
survivor, asked Yad Vashem to pick an item he could take
with him to honor the victims of the Holocaust. The
museum sent a copy of "Moon Landscape," a linoprint Ginz
made just before he was transported to the Czechoslovak
concentration camp at Theresienstadt in August 1942. The
picture represented the 14-year-old's vision of what our
planet might look like from the moon.
In the aftermath of
the Columbia tragedy, the drawing became so well known
that Ginz's name was cited even by President George W.
Bush. The coverage eventually inspired a resident of
Prague, Jiri Ruzicka, to take another look at a box of
six yellowed notebooks and some papers he had found in
the attic of the house in which he had been living for 50
years. The box's contents turned out to belong to the
artist who had created "Moon Landscape."
Ruzicka contacted
Yad Vashem and offered to sell the material. After
several rounds of negotiations, the museum and Chava
Pressburger, Ginz's surviving sister, managed to acquire
the notebooks and papers, which included the diary, an
unfinished novel, several short stories, drawings and
prints.
"When I saw the
diary I was terribly shocked," said Pressburger, who now
lives near the Israeli city of Beersheba. "Of course I
remember all those events very clearly." Born Eva
Ginzova, Pressburger grew up in Prague idolizing her
brother, who was 2 years her senior. Like Petr, she was
sent to Theresienstadt, where she managed to save some of
her brother's notes after the Nazis transported him to
Auschwitz.
During and
immediately after the war, Eva's parents stored much of
their dead son's writing and art in the house of a family
friend. Eva fled Czechoslovakia after the 1948 Communist
putsch, unaware of the existence of the notebooks. She
ended up in Israel with only few pages of her brother's
notes and a science fiction novel. Her parents, who
followed seven years later, never told her about the
hideout. Meanwhile, the family friend died and the house
was eventually purchased by Ruzicka.
"He told me that he
often thought of throwing the papers away," Pressburger
said in a telephone interview. "He threw out so much
other old stuff from the attic. But for some reason he
always decided to hold on to Petr's papers."
Pressburger decided
to publish "My Brother's Diary" in the Czech Republic,
where Petr remained largely unknown. That is about to
change. Earlier this month, the Czech Postal Service
issued a commemorative stamp bearing the boy's photo and
his famous drawing. On Feb. 8, Pressburger will be in
Prague to launch the published diaries.
While describing a
"ghetto without walls" - the increasing number of rules,
prohibitions and humiliations Jews were subjected to in
Prague - the writing also reveals a teenager with a sly
sense of humor. In the first entry, dated Sept. 19, 1941,
the author writes, "It's foggy today. They just
introduced a special sign for Jews" - a drawing of a Star
of David follows. "On the way to school I counted 69
'sheriffs,"' he adds, referring to people wearing the
star. A few pages later, Ginz recounts the woes of Prague
Jews in a long, ironic poem.
By
all accounts, Petr Ginz was an extraordinary child.
According to his sister, in addition to the diaries, he
had written eight novels and countless short stories by
the age of 14. The surviving diary entries from
Theresienstadt, where he spent the last two years of his
life, reveal a restless genius.
With limited access
to the camp's library of books confiscated from the
prisoners, he read everything he could. He studied
history, drew maps, learned English and worked on his own
Czech-Esperanto dictionary. He made up a secret alphabet
to record sensitive information, such as the place in his
coat lining where his parents had hidden extra money, or
how his aunt warned him to avoid "bad" girls.
His aptitude for
drawing earned him a job in a workshop where he worked on
Nazi propaganda leaflets while creating his own art
whenever he had the time.
Most importantly,
Ginz became the driving force behind the secret
Theresienstadt newspaper Vedem (We Are Leading), which
was published by the boys in his barracks. Written by
hand and read out loud every Friday evening, the
newspaper consisted of essays, poems and short stories,
as well as a weekly column, "Strolls Through
Theresienstadt," in which Ginz and his friends reported
on various parts of the camp, from the bakery to the
morgue. The newspapers have survived and are part of the
Theresienstadt Memorial collection.
"Petr was
universally admired," said Jiri Kotoue, a friend of
Ginz's from Theresienstadt who survived the subsequent
transport to Auschwitz. "Everybody looked up to him. He
was just a terrific boy with enormous talent and an
insatiable appetite for learning anything there was to be
learned."
Petr Ginz was not
allowed to fulfill his potential. On Sept. 28, 1944, he
was put on a train for Auschwitz and sent to his death in
a gas chamber immediately upon his arrival. He was
16.
Sixty-one years
later, his sister hopes to keep his spirit alive by
publishing the newfound diaries.
"There is enough
Holocaust literature describing the horror," Pressburger
said. "I don't really need to add anything to that. But
Petr's diaries show that if you were a child during the
Holocaust you could still live moments of simple
happiness. You could be adventurous in your
mind."