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Archive-Name: gov/us/fed/congress/record/1998/feb/11/1998CRS670B
[United States
Congressional Record: February 11, 1998 (Senate)]
http://thomas.loc.gov/cgi-bin/query/F?r105:1:./temp/~r105DkpxTf:e1535:
[Page S670-S672]
From the Congressional Record Online via GPO Access [wais.access.gpo.gov]
[DOCID:cr11fe98-200]
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browse_thread/thread/7681d15cc419666/c3db3cc771020ba5?q=yad+vashem,+hiram+harry+bingham&rnum=1&hl=en#c3db3cc771020ba5
A Man From Salem Emerges as a Hero of the Holocaust: Hiram Bingham IV
By William S. Bingham
When we lose a loved one, we struggle desperately to
recollect bits and pieces of a life lived and finished. We
hang tightly onto the slightest memories that have meaning
for us. Gradually, the memories fade and the vividness of
those who were once alive grows dim. But parchment and
celluloid, letters and photographs allow us to recapture our
loved ones' lives. These images and words left behind in
journals, books and correspondence allow us to revisit the
life and times of our loved ones and the history they
embrace.
Such was the journey I started when I began investigating
my father's secret history as a covert operative in a mission
to rescue Jews, artists and other political figures from the
Nazis during World War II.
I cannot say I know everything about my father. Most of him
is still a mystery to me. But almost 10 years after the death
of my father, Hiram Bingham IV, I discovered a cache of
diaries and documents tightly bound in manila folders by hay
bale rope and masking tape, buried deep in the dust and
cobwebs of an ancient linen closet tucked by colonial design
into the wall behind the fireplace in my family's 230-year-
old pre-Revolutionary homestead in Salem. In these bound
folders and files marked simply ``H.B.--Personal Notes--
Marseilles--1940,'' which had lain untouched for more than a
half-century, I discovered chilling evidence of my father's
secret role in thwarting the spread of Nazism and in rescuing
thousands of Jews from the Nazis.
After my father died in 1987, I discovered he was a silent
hero of the Holocaust. As with almost all intelligence
operatives, he maintained secrecy about most of his actions
from everyone except those who had a need to know up to the
time of his death. He kept his silence because he himself
became a victim of pro-Nazi elements and Nazi sympathizers in
the U.S. government and, in his role as a rescuer, he took
actions which were condemned by his superiors and contravened
U.S. laws and policy. My father's story contained in these
hidden papers sheds a small ray of light on one of the
darkest periods in human history.
Among his papers were secret memos, photographs and reports
on the concentration camps, maps and notes on escape routes
and meetings of the anti-Nazi conspirators. There were
reports on Nazi propaganda, hidden Nazi gold and war
criminals and the ``Fifth Column'' (Nazi civilian
infiltrators worldwide). There were accounts and descriptions
of Nazi agents and suspected agents within and without the
U.S. consulate in Marseilles and embassies in Europe and
Latin America and their methodology for world conquest. There
were letters from Marc Chagall and Thomas Mann, which the top
opponents of Adolf Hitler had written to my father pertaining
to the rescues, the rescue operations and my father's
participation. There were copies of passport photos and
``official'' documents and papers used by the escapees to
gain freedom from the concentration camps and to escape the
Holocaust.
As a vice consul in the U.S. Consulate in Marseilles,
France, when the Nazis invaded and took Paris in the summer
of 1940, my dad became a government expert on Nazis and
Fascists, and a key agent in the secret rescue operation of
thousands of Jewish and other political refugees from war-
torn Europe. The whole rescue operation, encouraged and
supported by Eleanor Roosevelt, was kept in large part secret
even from his State Department superiors, because many of
them at first supported Hitler. Some in the U.S. government
believed Hitler would win the war and felt that the U.S.
should maintain favorable political, social and economic
relations with the Nazis.
In the face of strident and vocal opposition from his own
bosses in France and Washington, my father helped establish a
clandestine operation of international operatives smuggling
Hitler's ``most wanted'' enemies--predominantly Jewish
intellectuals, political activists and artists who opposed
Nazism--through an underground railroad system across Europe
to gain safe passage through Africa, the Caribbean and Latin
America to the United States and other safe harbors. Some of
my father's collaborators formed Maquis, guerrilla-resistance
cadres, to fight the Nazis in the countryside.
But my father's role in the operation had to remain secret
from his superiors, his family and all but his closest
friends, because he followed a moral imperative to aid Jews
and other political refugees in violation of official U.S.
policy, regulations and laws. My father's superiors in the
State Department and other branches of government who favored
accommodation and cooperation with Hitler had forbidden
official and unofficial support for the operation.
It was only because of Eleanor Roosevelt's quiet support,
pressuring Franklin D. Roosevelt to permit the operation, and
my father's Washington contacts through his own father
(former Connecticut Gov. and U.S. Sen. Hiram Bingham III),
that my father himself was not arrested and prosecuted for
violating ``official'' U.S. law and policy. But my father
suffered retaliatory treatment at the hands of his superiors
and feared government prosecution if the extent of his role
in the planning and execution of rescue missions was known.
Why were the Nazis chasing Chagall? In the pictures and
letters it became clear that my father was instrumental in
saving Chagall, but why did he need to? Why did the Nazis
want to exterminate the surrealist artists like Max Ernst,
Marcel Duchamp and Andre Masson, or the surrealist poet Andre
Breton, or the novelists?
Because surrealism was a threat to Nazism--it was
nonconformist and often contained political messages that
were the antithesis of Nazism, totalitarianism and
nationalism.
My father was an artist and philosopher till the end of his
life. He would sit on an old beat-up chair by the bathtub,
where he would place his large-framed canvases flat on the
porcelain rim of the tub and paint his surreal visions while
listening to Beethoven and Brahms. He liked the subdued light
from the west through a small window there, and he could
rotate his paintings to adapt to the swirls of his ``music on
canvas,'' as he called it. You could turn the panting upside
down or sideways, he told me, any way, and new visions would
be revealed.
My father had painted portraits of some of the rescued, and
he had painted copies of several of Chagall's paintings
because he admired Chagall and had become his friend during
the crisis. My father's journal entries revealed that Chagall
had gracefully admired my father's rather traditional
portraits and landscapes during meetings at my father's
villa in Marseilles while they were planning his escape,
and Chagall told him always to paint large canvases and
never conform to what others wanted him to paint.
I remembered the tale of Lion Feuchtwanger, who was
smuggled out of a concentration camp at Nimes dressed up as
woman at the direction of my father and hidden at my father's
villa for two months, passed off as his mother-in-law from
Waycross, Ga., to fool the neighbors and the Gestapo and
spies at the U.S. Consulate. Feuchtwanger, I learned, was
Hitler's Public Enemy Number One, because of his historical
novel, ``The Oppermans,'' which exposed Hitler and the evils
of Nazism in 1933.
Hitler stripped Feuchtwanger of his German citizenship, and
the Nazis issued a death warrant for him before he fled to
France, where the pro-Nazi Vichy government held him until he
was rescued. When it was leaked to members of the U.S.
Consulate that my father was hiding Feuchtwanger and his wife
at my father's villa, my father soon realized that his own
life was in danger--so he put a pseudonym ``Lion Wetcheek''
on Feuchtwanger's passport and arranged that the
Feuchtwangers be smuggled on a footpath over the Pyrenees
Mountains into Spain and on to Lisbon, Portugal, where they
caught a steamship to New York City. The code words for them
in this operation were ``Harry's friends.''
I vaguely remembered the names of Rudolf Breitscheid and
Rudolf Hilferding, whom my parents would discuss in hushed
and saddened voices. Although their names rang a bell in my
recollections from youth, I never knew who they were or what
happened to them. The two Rudolfs were Hitler's greatest
political enemies in the Reichstag. Old political activists
in Germany, they too were stripped of German citizenship by
Hitler and fled to France.
Some of the rescue team would meet in Marseilles brothels
with their prospective escapees, because it was one of the
few places where discretion and hushed conversation in
English and other foreign languages could take place without
arousing the suspicion of the proprietors. On occasion, some
of the women in the team (Americans among them) would entice
pro-Nazi guards and policemen in order to distract them, or
get them drunk so that rescue operations could proceed with
little or no interruption. Other meetings took place in jazz
clubs, until the Nazis forbade jazz, or at my father's villa
in the evening after his work in the visa section of the
consulate was finished for the day.
Until I discovered these papers, only a few individuals
knew my father's role: those who worked closely with him and
a handful of those he helped rescue. Some, like the artists
Marc Chagall, Max Ernst and Andre Masson--and writers Victor
Serge, Lion Feuchtwanger and Franz Werfel and the family of
Thomas Mann--were close to my father during their own
escapes. But because my father had to keep his actions secret
from his own government superiors and fellow employees, some
of whom were supporters of and informants for the Nazis, he
could not reveal his role in planning and executing the
escapes of the refugees to any but a select few of the
escapees who were staunch anti-Nazi activits and conspirators
in the underground network.
At any moment, Nazi agents posing as refugees or enemies of
Hitler and Mussolini might infiltrate and blow the whole
operation.
[[Page S672]]
Indeed, when the true nature of my father's role became
more fully known by his superiors in the U.S. State
Department, he was removed from his position in the visa
section. Given meaningless bureaucratic paperwork, he was
passed over time and again for promotions, and he was
ultimately dispatched to Buenos Aires, Argentina, with my
mother and their five children. Despite the threat from Nazi
sympathizers and agents acting with the U.S. State
Department, my father continued to investigate and report on
the Nazi menace in Latin America and in the U.S. Embassy
in Buenos Aires.
In an ultimatum to the State Department in 1945, he vowed
to resign from the diplomatic corps if there were no efforts
to put a stop to the spread of Nazism and fascism in Latin
America. For this ultimatum, he was again passed over for
promotion and his pleas for investigations of Nazi gold and
war criminals being smuggled into Chile and Argentina on
German U-boats (submarines) were ignored.
He then made good on his vow, resigned from his post, and
returned to the family homestead in Salem to farm, paint,
pursue various business ventures and study Buddhism and
Eastern philosophy, which he embraced as a believer in
mystical Christianity.
Only now, after 50 years of obscurity, is my father's story
coming to light worldwide. After discovering the cache of
documents, I began an effort to investigate all of his
correspondence and official files, including those in the
U.S. archives, which are now declassified, and to find those
he rescued who may never have known his role in their
escapes. All of these incredible stories of spies, refugees,
counterspies, American heroes, surrealist artists and writers
fighting and fleeing the conflagration which engulfed Europe,
I am assembling into a personal and historical account of the
events for publication based on my father's papers and
supporting documents.
Prompted by contacts from a man whom he rescued and from
the U.S. Holocaust Museum in Washington, D.C., which knew of
his involvement in the effort, the key documents and
photographs I discovered in that ancient linen closet behind
the fireplace have been duplicated and are being preserved by
the museum. More than 50 documents and photographs from my
father's files were exhibited, along with several of my
father's surrealist paintings and landscapes, at the Simon
Weisenthal Center--House of Tolerance Museum, in Los Angeles,
during July and August this past summer.
A petition prepared by survivors my father helped rescue
asks that Hiram Bingham IV be honored with a medal from the
State of Israel and a tree planted in his honor at Yad
Vashem, the Holocaust Memorial in Israel.
If he is awarded the Yad Vashem medal as one of the
rescuers, he will be only the second U.S. Citizen and the
only U.S. diplomat ever so honored for putting his life and
career on the line to rescue Jewish refugees.
Perhaps most important, the documents related to Nazi gold
and war criminals being spirited away to Latin America on
submarines with the knowledge of the U.S. State Department
now are being investigated by the Simon Weisenthal Center.